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Reginald Aglio Dibdin
"Rex"
1883-1957
Analytical Chemist - Engineer
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About 1902 |
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About 1914 |
Family Photograph
Introduction
and Summary
Born the
fifth child of William Joseph Dibdin and Marian (nee Aglio), Rex was the second
son whose older brother was Lionel Aglio Dibdin.
He was a
man of wide interests, which included art, music, astronomy, symbolism and
hieroglyphics, and invention. In fact, this creative trait is one that seems to
have flowed through much of the Dibdin Aglio Family with outlets in practical
science, engineering, art and design.
Among
all of his siblings, I feel that Rex was an enigma. In many ways he was like his
father, a renaissance man with capabilities and interests in many directions and
yet as the narrative unfolds the reader will see that life took its toll. My
impression, and it may well be incorrect, is that in his youth he was a highly
sensitive, intelligent young man who progressed quickly in the academic world
but lacked drive and ambition. In my youth, it was often pointed out to me that
this trait was endemic in the Dibdin family. Also, in recent years, it has come
to my attention that may of the family have experienced dyslexia, an issue that
may be relevant. Rex’s
experiences in the First World War were too much for him and the effect on his
“mental health” were probably lifelong.
My
memory of Rex is based on a few visits during the last five years of his life
when he was in his seventies. My Mother recognized him as a very wise and caring
man, supported by a loving “housekeeper”, Peggy.
He was
delighted to give my mother, Joan, away at her wedding to my Stepfather in 1952.
Usually,
he was in bed ill during later visits, attended by his loyal Peggy.
Aspects
of his life I remember from family stories, but there is much that has been
gleaned from photographs and a box containing his letters and documents.
This box
lay in my mother’s loft with the clear instructions that it should not be
opened until the last of her aunts and uncles had died. She believed that the
box contained the key to why he and his wife separated.
In fact
it did and the story has unfolded in ways my mother could not have imagined.
He died the year I took my O level Exams and I was always
saddened not to have attended his funeral as I was protected from knowledge of
his death until I returned from School for my holidays.
Chapter 1
Summary
of Siblings
Ethel Margaret
Born
23 June 1879
Married 1 July 1902 to George Edward Moore
5 Children
Died July 1960 in USA
Sophia
Born 19 July 1880
Died at birth
Lionel Aglio
Born 14 June1881
Married to Cecily Grace Haycraft 1909
3 children Stanley Lionel Aglio died
6 years old,
Peter Haycraft, Joan Mary
Died 28 March1933 in Dixmunde
Marian Alice
Born 26 Jun 1882
Married 11 September 1912 to Paul Montford.
3 Children
Died 6 April 1969 in Brighton
Reginald Aglio
Born 9 Nov 1883
Married 14 February 1912 to Elsie Millicent Marvin
Divorced in mid 1920s
Died 12 July 1957 in Forest Hill
Augustus Aglio Dibdin
Born 8 May 1885
Died 17 Aug 1909 – of cancer at Purleybury
Laeticia Frances
Born 15 Nov 1886
Married Thomas Harrison Frewin
Died 25 September 1948 in Ruislip
Frederick Joseph Aglio
Born 28 June 1888
Married 1 Aug 1930 to Garnett Ella Fowler
1 daughter
Died 1956 in USA
Christine Dibdin
Born 29 November 1889
Married 26 May 1922 to Capt. Richard Thomas
1 daughter and stepson
Died 1967 in Meols
Margaret Mysie Aglio Dibdin
Born 27 May 1896
Married 24 June 1922 to Rev Arthur Gerard Cowham
3 children
Died 1978
Chapter 2
Life before World War 1
At the age of about 12
years, Rex was at “the family school” Herne House in Margate which was run by Rev Taylor
Jones who was the brother in law of Rex’s grandfather T.C. Dibdin. Many
members of the immediate and extended family attended this school.
During 1895/6, Rex he
passed many matriculation Exams for the College of Preceptors while he was a pupil at this school
Much of this history is described in the book The Life and Times of the Dibdin
Aglio Family and can be found in detail on the website www.guise.me.uk.
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From
the age of 16 he seemed to have been passing numerous exams.
In 1899 he passed as a Junior candidate in Oxford University exams.
In 1901 he matriculated in exams at University of London.
In 1901-2 he passed exams in magnetism and electricity at South Western
Polytechnic.
In 1902 he passed exams in Inorganic Chemistry at the Education Board of
South Kensington which was based at what is now the Victoria and Albert
Museum.
In 1902 he qualified from a Polytechnic in Chemistry and allied subjects
and there is a registration document for 1904 for entry to Medical
School. It would seem that he did not follow this up.
Rex settled to work in 1905 as Gas Examiner for the London County
Council.
This was to be his career for life although he did also spend time
working for his father, William Joseph Dibdin, with free-lance work as
an Analytical Chemist specializing in Sewage.
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He outlived some of
his siblings and records show that he was involved, with his father, in
negotiation over the internment of his younger brother at Golders Green
Crematorium in 1909 when he was 26. His brother Augustine Aglio Dibdin
(Gus) died of cancer at the age of 24 while the family was living at
Purleybury.
He was obviously a knowledgeable, intelligent and artistic man but also a
tragic figure.
It was convenient that he was in the same field of work, as his father
William Joseph Dibdin, as he would get guidance and support and in fact in
1911 they registered a company together.
The view that he had considerable insights within the creative field is
supported by a very moving letter to him from Agnes Robertson thanking him
for his contribution during a debate, presumably on the “art process”,
in 1905.
9 Elsworthy Terrace NW
Dear Mr Dibdin
I should like, if I may to send a word of thanks for your speech at the
debate last night. As far as I could make out you were the only person
there who really grasped what I was driving at! I am fully convinced on
the truth of what you said about the only thing needful for an artist’s
development being not definite instruction, but a chance of working on his
own salvation in the right atmosphere, -- surrounded the finest of the old
examples. I have seen something of this as my father is an artist. I
expect you certainly know Stevenson’s glorious essay on "Fountainebleau"
(in ‘Across the Plain’). I thought of it when you were speaking.
Yours sincerely Agnes Robertson
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In 1906, still only 23 years
old, Rex had already written a series of articles for a Civil Service
Journal on what was, in effect, much of the life work of his father
William Joseph Dibdin, on The Evolution of Sewage Treatment.
He married on the 14 Feb1912 at (St Mary’s) Marylebone, to Elsie
Millicent Marvin and then within a couple of years, he joined the army at
the beginning of the First World War as did many of the Dibdin Family and
from family hearsay he was badly injured.
In the years before joining up Rex must have obtained a post with the
London County Council as a Gas Examiner.
Chapter 3
About
Elsie Millicent Marvin
Elsie was born 17 Jan 1885
in Southham,
Warwickshire, the daughter of Edward James
Marvin and Sarah Ann Marvin
In 1901 the family lived at 19 Addison Gardens Hammersmith
The family included Elsie’s bother Edward Montague Marvin who was two
years younger than Elsie.
He is often referred to by the family as Mont. He was born in Bath 1887.
According to the 1911 census they lived at 7 Somerfield Terrace, Maidstone.
At the time Mont was a 24-year-old boarder in Gateshead, studying
Electrical Engineering.
In 6 Jun 1915 Mont got married to Lily Brocklehurst
He was on active service in WW1 reaching the position of Major in Royal
Engineers.
He died about Jan 1968 in Sheffield where he had been living and working
as an Automobile Engineer
In the 1911 census Elsie was 26 years old living with her parents at 7 & 73 Somerfield Terrace, Maidstone, London and Rex was a visitor in the house. I think that
this should be interpreted as Somerfield Terrace 73 (or 63 -75) London
Road which was part of a large building, once used as a Military Hospital,
which is now Grade II listed and used as housing and Maidstone Medical
Centre.
Elsie married Rex on 14th Feb 1912
In 1921 Census Elsie and Rex were living a 31 Idmiston Road West Norwood
with Rex’s parents and sisters Margaret and Lettie. The reason why they
were living there will become apparent later in the narrative.
Her brother Montague was living in Hendon with his wife Lily and son
Edward Brocklehurst.
In the 1921 census Elsie’s parents were living at 75 London Road which
would have been Somerfield Terrace although in 1923 Elsie was with them as
Rex was in mental hospital and she had no home.
In 1923, the year of her letters to Rex regarding his illness, she was
living a 5 Somerfield Terrace Maidstone. From that date on she was writing
from 5 Somerfield Terrace
In 1937 Elsie was living at 16 Bethia Road Boscombe near Bournemouth.
In 1939 she was in Bournemouth ARP
In 1949 Elsie travelled to Elsternwick Victoria Australia
She died Oct 1970 Bournemouth
Chapter
4 Go to new page
For
details of Rex in World War 1
Chapter 5 Post War
Activities
Little is known about Rex’s activities immediately
after the war except that records indicate that he worked as a Gas
Examiner and for his father with the slate bed sewage system.
They had registered a company together. William Joseph Dibdin had been
working freelance in the field of sewage before the war and had working
with him all three sons, Lionel, Joe and Rex.
After the war Lionel probably set up on his own as a Civil Engineer
and later a property development company and Joe went to Louisiana to work
in the drainage field.
Lionel was withdrawn from active serving in 1916 as a result of a gas
attack but continued to work for the MOD on airfield drainage.
Joe stayed on in the war until the end and while he was recouping from a
minor injury he wrote from an Officers Hospital, Sauvic in France, to
Elsie and Rex in December 1916 at 40 Elm Grove Road Barnes. Joe Dibdin
seems to have had a fun sense of humour.
Rex showed a serious interest in the issue of language and symbols, an
interest probable triggered by the work of his great grandfather Agostino
Aglio who produced the art work
and etchings for a book, Mexican Antiquities, sponsored by Lord
Kingsborough. Facimile
of
Mexican Antiquities.
In about 1922, Rex produced a booklet on the subject of Red Indian
Picture Writing and had 500 copies printed.
He seems to have distributed copies to many libraries including the
British Museum.
There are also, in draft form from 1922, two other related booklets,
‘Aztec Hieroglyphics’ and ‘The Great Symbolism – A Psychological
View of the Sacred Diagrams of the Chinese Book of Changes’ a work
that he returned to in 1924.
The question remains as to whether all this work precipitated what was to
follow or a consequence of a state of mind that was already in a turmoil. I suspect that the war was
the root to his illness and the tumultuous relationship with his wife and
perhaps family. His marriage finally faded in 1924. The war seemed to have
left Rex with terrible paranoia.
Rex was receiving a war pension and although there is a record that he did some Gas
Examining work at Lewisham Road, he did not return to working for the
London County Council until December 1923 after his time in Hospitals and
after a medical examination by Sir John Collie.
In 1922 Rex was showing signs of a mental breakdown
and from Elsie’s letters we get a deep insight into his struggle with
paranoia and severe psychosis. He went to a strange institution in
Salisbury called The Old Manor with the expectation of getting help.
Elsie accompanied him there on the 21st March 1943 and returned
to her parents’ home in Maidstone by train. Se wrote to him the next
day. In 3rd August 1923 Rex moved from Salisbury to the
Maudsley Hospital where he stayed until 5th September 1923.
By this time, it was clear that their life together was over and while
Elsie stayed with her parents Rex returned to his. William, his father,
died in 1925 as a result of breaking his Pelvis and his mother Marian died
in 1928. While he was till at home. It
was then that he developed a relationship with Peggy, his mother’s maid
or nurse, a relationship which lasted until the end of his life. The
details of this are to follow.
Chapter 6 Mental
Illness and Marriage Breakdown
There seems to be no
indication of Rex being mentally ill before the first letter from Elsie in
Mar 1923 when Elsie wrote to him at The Old Manor in Salisbury, although
details in the letters suggest that Rex became seriously depressed by
about November 1922 and showed uncontrolled signed of paranoia. His
behaviour over Christmas 1922 completely alienated his in-laws and his own
family were becoming aware of problems.
It is not clear how
The Old Manor was selected for Rex for treatment, however it seems from
Elsie’s letters that early in 1923, it was The Dibdin family’s will
that he should not go to the Maudsley, contrary to Elsie’s wishes
although by August, the Dibdin’s were suggesting it. Elsie’s letters
in Appendix 2 give a clue as to the poor relationship between Elsie’s
and Rex’s families and the difficulty of dealing with and helping Rex
was exacerbated by his mother and sister’s attitude.
For some reason the Dibdin
family, which seems to have acted as a clan at times, did not support
Elsie and seemed to have been rather unkind to her. It is unclear what
happened at The Old Manor but a doctor there gave the impression to
Rex’s father that it was a “Lunatic Asylum”. It was the last straw
that Rex and Elsie found it necessary to sell up their “home” at
Barston Road early in 1923, before Rex went to the Old Manor because of
the fees and so Elsie returned to her parents. This lose of home for Elsie
was significant and the grief of this can be seen as an undercurrent in
her letters to Rex. In July
is was clear that their money was about to run out and Elsie demanded that
Rex’s father took on the costs of the hospital. In a letter to Rex,
William made it clear the family could not afford the fees at Salisbury
and so got Rex to accept the idea of going to the Maudsley Hospital which
was fairly local, in Denmark Hill. This opened as a mental hospital under
the London County Council in 1923, founded by the eminent psychiatrist
Henry Maudsley, having been used as a hospital for war wounded.
Through contacts, Rex’s father, William, had managed to negotiate his
stay there for about 10/- a week, a sum that the family could manage.
He entered The Maudsley at the beginning of August and discharged
himself after one month.
During 1923 Elsie was
seriously ill with a heart attack and general debilitation but seems to
have kept up correspondence with Rex on a fortnightly basis against what
appears to have been a barrage of paranoia and recriminations. I get the
impression that during this period Rex was suing his father or the family
business, over his share of the business and rights to the biological
sewage invention. He seems to have seen this as a possible source of
income.
In October 1923 Rex discharged himself from the Maudsley and returned to
his father’s home 31 Idmiston Road. In late 1923 and early 1924 Elsie
gave Rex ultimatums about terms for the re-instatement of their marriage,
based on her doctor’s and family’s advice. During the time of Rex’s
illness, Elsie became involved with the Christian Scientists, an
occurrence which further added to Rex’s paranoia, and but it did seem
that she was really only getting support from an particular individual.
By mid-1924 Elsie had really decided that each should manage on their own
and her letter to Rex in 1925 was only as a curtesy note on the death of
his father. There is a record that in 1928 she returned a cheque for 5
guineas to Rex as this was his first attempt at supporting her, with a
view of them coming together again.
Letters from his wife
Elsie seem to give considerable insight into Rex, his state on mind and
within the family there is recognition of a genius like nature.
One letter from Elsie gives a brilliant insight into the mental state of
Rex and as well the clannish nature of the Dibdin family. She describes a
meeting with Marian Dibdin, his mother, and his sister Marian discussing
Rex.
In a letter from Elsie dated 2nd March 1924, two interesting
issues come to the fore regarding Rex’s state of mind. The paranoia
showed itself as concern over poison in the house, family against him and
a strange card game in which the ace of space was predominant, and the
need to contact Scotland Yard. Also, members of the family particularly
Rex’s mother and Marian were well aware of the situation. “Rex is mad
- but I will never tell the doctor so” from Marian and in dialogue with
Rex’s mother “Well! Rex is difficult at times, I suppose all clever
people are – she cut in with “I know I know”, and I continued but
I’m am still hopeful for I feel sure genius gets recognition sooner or
later”.
Meanwhile Rex was
unsure as to whether his is physically or mentally ill and I think he used
his intellect to confuse everyone.
He discharged himself
from the Hospital 5th September 1923, one month after entering.
Because we have the letters to Rex during his time of illness, it has been
possible to develop some understanding off the whole episode, however the
relevant letters, which are available in Appendices 2, 7 and 8, really
only serve to show that Rex was living in a complex mental state and human
dynamic, which he added to but was never really quite truthful with
anyone.
The tone of Elsie’s letters is interesting. She continually expresses
care for Rex and always starts with a loving introduction however this is
a definite undercurrent of bitterness about the situation created, as she
saw it, by Rex and a strong sense of personal survival supported by her
family.
It would be interesting to know what demands Elsie made on Rex throughout
their marriage and how Rex viewed his wife’s manner, bearing in mind how
the narrative developed in the following years.
I have, for the sake of clarity endeavoured, to unpick the tangle with a
few simple questions and statements but in no way do I presume to have
found an adequate explanation.
Understanding
Rex’s Mental Illness
Once again, I find
during my life that I am struggling to interpret the situation that exists
around mental illness. There
is no doubt that Rex had some form of breakdown and became paranoid.
I have seen this before and fortunately in those circumstances,
nowadays, the quality of the relationships and available resources are
such that healing can often be achieved and life returned to as it was.
In Rex’s case the situation is far more complicated. The grasp and management of mental illness was far more
limited in the 1920s, any treatment was going to cost money and for any
Doctor dealing with Rex they were up against a very intelligent person who
seems to have been expert at manipulating within his mental illness.
In retrospect I now feel grateful and for that matter honoured to have
known and shared life with so many people that have experienced the depths
of despair associated with mental illness.
Collection of
observations
I think that of the 3
Dibdin brothers Rex was the most sensitive and hence the most likely to
come a cropper at a time of war.
Rex was injured in action in 1916 although he was in the Service Corp.
It was clear that Rex was mentally ill by the beginning of 1923. How long
before we have no idea.
He was suffering with serious paranoia believing himself to being
threatened with poison and demanding help from Scotland Yard. He expected
others to go along with his delusions and support him.
The letters from Elsie always opened with loving sentiments but her manner
to him was always very firm.
She was quite clear that she wanted a competent, productive husband who
could support her. He was proving to be otherwise and his illness whether
physical or mental had caused them to loose their home.
While in hospital he was pleased to have resources around him like a
tennis racket and a flute.
During 1923 Else had heart attacks and was being support by her family and
her doctor. Bearing in mind she was only 38 years old, the definition of
heart attack is questionable as suggested by Rex’s father.
But then, the Dibdin family did not seem to like Elsie.
Whatever Rex’s true mental state, he had the skill to manage the
impression he gave others. This
was not surprising considering his intelligence and he was encouraged in
the use of this skill by his parents. His father encouraged him to “tow
the line” at Old Manor and demonstrate that he was well enough to be
released.
The way the family closed ranks is a measure of the era and is well
demonstrated by the remarks made to Elsie by Marian, Rex’s mother.
“Rex is mad - but I will never tell the doctor so”.
Rex’s father and brother-in-law were both clear about the significance
of Rex’s paranoia.
From WJ Dibdin
“Don’t imagine you are there in connection with any “authorities”.
They don’t care a bean about you or anyone else and you may
safely dismiss those mysterious entities from your mind.”
Quote from Gerard
“ Loneliness -- This must throw you open to
these insidious temptations of brooding over the past.
The “ruthless ploughing of the waste sands of time” which never
produces any crop but Jason’s Dragon’s Teeth; a host of mutually
destructive devils, who sleigh and work and wreck to no purpose but the
multiplication of misery.”
Handling mental illness and
probable depression was not a well-developed skill in those days; for the
ill person freedom was the prime objective.
Gerard, his brother-in-law, and a High Church Anglican Priest was very
outspoken with Rex as to how he should stay longer in the Maudsley until
the Doctors felt that he well enough to discharge. Rex discharged himself
after 1 month and went on to convince Sir John Collie, in a medical
examination, that he was well enough to work for the London County
Council.
Was it the nature of Rex to drift and be supported by caring and loving
people around him while he existed in the world of thought?
If Elsie had been more up to the challenge and understood how to handle
depressive illness could the marriage have been saved with the help of
sound treatment?
Did Elsie realise that after the war Rex was never going to be a suitable
husband?
Were Elsie’s possible demands of him after the war enough to precipitate
his “illness”?
Was Rex so “loved” and respected by the family as a “genius” that
he could only survive with an “easy life”?
Throughout his life Rex was seen by many of the family as the source of
wisdom although he always referred to himself as the black sheep of the
family.
Whatever is the truth about Rex and his illness, his mother’s nurse or
maid Peggy decided to follow the instructions given by Rex’s mother. Her dying words were “Look
after Mr. Rex for me”! This she
willingly and lovingly did for the next 30 years until he died.
Chapter 7 On
the Death of his Mother
It should be noted
that Rex's Father and Mother died in 1925 and 1928 respectively and that
Rex was probably coming out of the worst of his illness thanks in part
probably to the support of his mother’s nurse, Peggy who was to later be
his housekeeper.
Peggy was a young girl or
nurse employing by the family to care for Marian Dibdin during her failing
health. The
story is that Marian in her dying moments asked Peggy look after Mr Rex.
We have the delight of
a first-hand account from Mary Cowham, Rex's niece, the daughter of Margaret
Cowham nee Dibdin, Rex’s youngest sister.
Uncle Rex, long-since divorced, {there is no evidence that they did officially divorse} was a refreshing
eccentric. We shivered with delight when he annoyed his baby
sister - our grownup mother - by saying how much he hated being a
choirboy, "dressed up in a sheet". Like my grandfather,
he was an analytical chemist, and we loved it when he took us into
his laboratory that was once the conservatory. Aunt Letty was a
dozen years older than my mother and had a remarkable career. She
was a nurse and an opera singer and still single when we first
knew her. Some years later she married the conductor of the Carl
Rosa Opera Company, and later still she drove an ambulance during
the London blitzes in World War Two.
Early one morning we heard much shouting and slamming of doors.
Uncle Rex, in a dressing gown, ran out of Peggy’s room and into
his laboratory. Peggy, the maid, was a plump, fresh-faced young
woman with a ready smile, and a special favorite of ours because
she plied us with home baked biscuits and let us spend most of our
time in the kitchen - the only warm room in the house. Aunt Letty,
just back from a long night at the hospital, ran upstairs and
closed her bedroom door while my mother, also in a dressing gown,
stood at the foot of the stairs shouting about dens of iniquity.
She then staggered into the drawing room, collapsed onto a sofa,
and burst into tears.
"Your mother is a little upset," said Peggy, with
characteristic understatement, when we rushed into the kitchen in
the hope of finding out what the row was all about. Throughout
that morning, we heard intermittent outbursts from behind closed
doors and during a tense and rather silent lunch Christine
innocently asked: "What is fornication?"
That did it! After more shouting, and much sobbing, we were
whisked away in a taxi to the home of my father’s sister and her
husband.
Many years later, when I wanted to know what had happened on that
dreadful day, my mother said: "Peggy was hired during
Grandma’s last illness. She took a great fancy to the new young
maid and, allegedly, her dying words were ‘Look after Mr. Rex
for me’. Obviously Peggy was looking after Rex in more ways than
one, and Letty should have warned me. Naturally, I was very upset
about my innocent children being exposed to Rex’s licentious
behavior, but Letty was so blind she couldn’t see what was
happening under her nose. All she could say was ‘I never would
have believed this of Rex. After all, Peggy is not our class!’
"
Excerpt from Mary Cowham’s unpublished memoir
"Unspoken Hope".
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Chapter 8
Life
After 1928
It would seem that by 1930, Peggy had settled in to become Rex's
housekeeper at 31 Idmiston Road. Her loyalty was immense and she was a
wonderfully cheery lady who stayed with him until he died in 1957.
She subsequently married a widower with a family.
They seemed to have stayed in the family home until about 1933.
It is unclear from the current records as to Rex’s fully employment
details but it appears that he worked as a gas examiner most of his
working life as well as doing freelance work for the family businesses.
As has been indicated, Peggy was a loyal housekeeper and companion to Rex
for over 25 years and Joan Dibdin, his niece, always expressed a great
concern and care for her for many years.
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| When
Joan and her second husband, Douglas, had cars available she was
able to visit Rex, in South London, more often and as I remember,
they would ensure that Rex and Peggy were transported to their
holiday in Burnham on Couch |
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|
| In 1952 she was thrilled that he was able to act in place of her father
and give her away at her marriage to her second husband Douglas
Welburn on 26th July 1952. |
It
is impossible to understand what sort of person Rex was like when he was
younger and how he was in the early 1930s but by that time he would have
been a steady and mature 50 year old and I am sure that for young Joan and
Peter who have acting in a supportive way and as a guiding light.
The respect and care that Joan showed for Peggy was immense and Joan gave
her hospitality on occasions in the North of England after Rex had died.
Chapter 9
Creative Work
I assume that his
interest in symbolism stemmed from the work of his great grandfather
Agostino Algio, who produced the art work and lithographs for a book,
Mexican Antiquities, sponsored by Lord Kingsborough. These were a
collection of drawings and symbols that had been taken from Mexico by the
Conquistadores, and which Aglio copied over a four year period from the
Libraries of Europe. He then produced 7 volumes of Facsimiles of Mexican
Antiquities
In about 1922, Rex produced a booklet on the subject of Red Indian Picture
Writing and had 500 copies printed.
He seems to have distributed copies to many libraries including the
British Museum.
There are also, in draft form, two other related booklets, ‘Aztec
Hieroglyphics’ and ‘The Great Symbolism – A Psychological View of
the Sacred Diagrams of the Chinese Book of Changes’.
Rex had already also written a series of articles for a Civil Service
journal 1906 on what was, in effect, much of the life work of his father
William Joseph Dibdin, on The Evolution of Sewage Treatment.
Records show that at a later time in his life, he invented a circular
knitting process in 1935 and for a period in 1938 bought and sold tea.
He was a painter and obviously musical as reference
is made to his flutes. Also documented is a hymn that he wrote.
During the Second World War, Rex seemed to have been sending inventive
suggestions to the War Ministry as there are courteous replies to a number
of his ideas sometimes pointing out that the MOD was already working on it
Chapter 10 Rex’s Special Nature

Rex always referred to
himself as the black sheep or wicked uncle, but of course as is so often
the case he was being harsh on himself, a man of considerable insight and
talent who had been beaten by the traumas of war and criticism from some
of his family.
A brilliantly clever man, bordering on genius, but maybe hopelessly
impractical on day to day living. Like many others in the family he did
not seem to reach his full academic or working potential and it is
noteworthy that he pulled out from entering medical training.
My mother, Joan considered him to be a very special person to whom she
could turn to for advice either of a philosophical or practical nature.
There is a letter from Rex to her in response to a request for advice in
January 1944 while her husband was in the process of going to India on
active service.
The questions and fears that must has arisen in her young mind at such a
time with her new baby and a husband about to go abroad to fight and with
England being threatened by heavy bombing raids in London must have been
immense.
In 1933 Rex played a quiet but key role in dealing with the tragic
death of his brother Lionel and Cecily, in a plane crash.
He, of cause, was the only adult male sibling available and Peter,
Lionel’s son, was still just under 21 years old. It was Rex who dealt
with the official correspondence and, informed his other siblings and
supported Peter and Joan. This full details of this event are related
elsewhere.
He must have looked on in dismay as the system of public trustees and
older aunts took over control of Joan and Peter’s lives.
Where he could and where it was relevant, Rex did offer his advice as he
did to Peter in about 1935 regarding possible opportunities in Civil
Engineering.
After the Second World war, Joan would make considerable effort to visit
Rex and Peggy in South London and probably was one of the few members of
the family that were supportive of them both against the criticisms,
particularly from his sister Margaret who being married to a vicar was
“rather holier than thou”.
Letter of Advice to Peter and Joan Dibdin are included in Appendix 5
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Chapter 11 An
Examiners Surveys
By Rex’s Bank Manager
This short article written by
Rex’s bank manager is self-explanatory
Reginald Dibdin is by vocation a Gas Examiner. To the layman the
term is vague – you must be on the inside to comprehend all that
this kind of inspector needs to know.
But the most interesting factors about the man are coupled to his
mentality and personality. His acquaintance leaves with a sense of
hearty satisfaction. Dibdin speaks attractively, with a particular
accuracy of syntax and pronunciation. This command of language
sets him high in a powerful class which has the confidence and
faith in itself. It is somewhat in a minority today. I mean the
race of restless and discerning thinkers whose whole life thought
is of problems, causes, reactions and tendencies. Facts to them
are important, but the origins of, and steps to these are of chief
import.
Dibdin write keenly and with originality. His love of English
expression prompts it. One recent production was a scientific
novel. His constant attention to thinking along pioneer ways made
any other species unattractive. His natural instincts built
science into the framework of a romance coloured by the excitement
of Derby Day.
His calls at the bank are rather like social devoirs. His person,
though simple on its exterior is still not readily forgotten. His
entry into the office resembles a silent gliding-in no pretentious
or self announcing approach.
Tall and correspondingly thin, he has a pleasing smile, speedily
summoned. His eyes have a confident steadiness born of seventy
years in careful survey of people and affairs. He has the slim
figure of an artist: not that every exponent of those varying
media is slender of hand, but the figure will serve. In point of
fact, he paints landscapes.
His tastes and practices in dress are entirely nonchalant. There
is a large streak of Bohemian in him: and meticulous as are his
expressions, and his mental theses, his sartorial preferences are
unassuming.
Yet I vow he is a law unto himself, and frequently prinked out in
the very prototype of all Latin-quarter beards, he confounds this
issue by appearing as a somewhat mild eyed Mephistopheles. Easy of
speak, profoundly honest and gentlemanly, his modesty approves the
good in others, and his indefatigable brain thrives on
constructive observation.
He appears ever anxious to learn of man, while unconsciously
giving them the fullest benefit of his own valuable findings.
Herbert Thompson
Written by Rex’s bank manager in about 1953 and found amongst
family papers |
Chapter 12 Last Visit
On, I think, my last visit to him, he was in bed
being cared for by Peggy and he showed me a simple knitting device with
enabled one to knit circular tubes. Amongst his documents there is a
letter from Weldon’s Progressive Publications for Women thanking him for
his new system for knitting and expressing further interest.
On that occasion, he
specifically drew my attention to a painting he had done recently
on the mantelpiece.
It looked like a fogged piece of paper, very relevant to me
at the time as London was often foggy or rather “smoggy”. He
suggested that on careful examination I would see the crosses on
the horizon.
I do not remember his actual comments but this seemed to reflect
how he felt about life and death.
He had painted it in 1955, at the age of 72, a very frail
72-year-old. It may well have been Easter time and he said that
that was how he saw the Crucifixion. |
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t was a year of so before that I had painted a
rather naive painting at school for my own amusement. It was the
only painting that I remember doing and my memories of art are
limited to this and a drawing of the school buildings doing while
sitting outside, and also some drawings of a country church in the
local village of Wadesmill.
I remember that my mother who no doubt felt please with the effort
telling me that she had shown it to Uncle Rex and that he had been
very complimentary. This meant a lot as I knew that I was
naturally not very capable but somehow it fulfilled a lifelong
expression of all that is most serene in life. |
On his death, from
my mother’s reports, his funeral was a nightmare scene, as his youngest
sister felt it important to draw everyone’s attention to his failed
marriage, his living “in sin” with his housekeeper and his impending
entry into hell fire. I suspect that much of his life was a living hell as
it was for so many that lived through the First World War. I can only
judge from photographs but he seemed to have been a creative, sensitive
young man who later suffered considerable degrees of depression.
I was honoured and delighted that he left to me a small metal box of bits
and pieces which although many may seem insignificant to me were like
treasures to be used and nurtured.
History repeats itself.
Yet again, we have a story of a high intelligent and sensitive
individual, traumatised and suffering depression, creating turmoil in
family relationships. Bearing in mind the date, the war, the ignorance of
mental health and the post Victorian stiff upper lip attitude, the
situation is excusable. The lack of understanding and demonstrable support
within the families concerned, resulted in a sad breakdown of marriage
despite there probably being considerable love.
Nearly 100 years on we still see demonstrated the same ineptitude
regarding, war, its consequences and lack of human understanding.
After Rex died in 1957, Joan related to me, with horror, details of the
funeral when Margaret Cowham, Rex’s youngest sister took it on herself
to bring down hell fire on Rex for have lived in sin. A re-enactment of
her performance some 29 years before at Idmiston Road.
The general view was,
within the discerning members of the family, that he was a kind, sensitive
genius whose mind was such that ambition and everyday pressures of living
were of little interest. The experience of war could have done nothing but
harm.
Comment regarding Family
Relationships
Earlier in the book is a list of the ten children of William Joseph
Dibdin. The relationship between the various members of that generation
which also included a young girl who acted as a companion to the family
and later was known as Mrs Midd is one that my mother would explain as
“although we are not often in touch, we know we are always there for
each other”.
In Volumes I & II of the book “William Joseph Dibdin and Three
Generations” there is an effort to relate a little of the lives of each
and portray a some of the deep respect that family had for William and the
Ancestors with an almost clannish perception of the special nature of the
Dibdin family.
Two Girls, Christine and
Lettie married and settled in England. two married and emigrated one,
Ethel to America and Marian to Australia although she returned just before
WW2. Margaret the youngest and the dramatic girl moved in her early days
back and forth to India with her priestly Husband. Sadly, Sophie died at
birth and Gus died as a young man after a period of serious illness. The
three boys Rex, Lionel and Joe must have had a special relationship,
having all joined up in the WW1 and all had a deep respect for their
father. This respect for Father and Family is expressed time and again in
letters at the time of deaths. There is a built-in pride of family and a
demand of each member to demonstrate a strength to carry on in life and
make the ancestors proud of them. This attitude was funnelled on to the
next generation and there are numerous examples of letters of support at
times of grief linked to an exaltation to carry on and do one’s best in
life. From where I see it, Rex was the odd one out. Philosophically, he
would have agreed with this attitude but because of his nature and
experiences in WW1 he could not live out the stoic, “struggle on”
demands of the other members of the family. He referred to himself as the
“Black Sheep” of the family and although I have no first-hand
knowledge of how his siblings felt about him, except of course Margaret, I
feel that there was a sort of distance support although his relationship
with Peggy may well have been frowned upon. Joan Dibdin, his niece, who
herself was a bit of a fledgling outcast, having been orphaned at 13 years
old and not willingly drawn in under the wing of any other family, behaved
like a loose canon and this may explain as to why she had an immense
respect for Rex and Peggy and saw their worth as loving human beings.
To complete the picture of this family one needs to refer again to Mrs
Midd. She was the wise, observant working class member of the group. She
married a sailor who travelled the world and settled in a basement flat in
Victoria St very close to the station. There is evidence that she was hub
for two generations of the family who knew there was always a welcome at
Victoria St coupled with whatever wisdom was necessary. She had a sound
understanding of the family and how it functioned.
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